In this 7-session class held over 9 weeks, we will explore two aspects of painting that are often employed together: layering and meaning. The physical application of paint can create a variety of textures and added interest. How does the the thickness of the paint help convey atmospheric conditions set by the artist?

The iillusion of shapes and forms held in paint layers below the surface can convey distance or implied physchological space. What does an artist want us to see at first and what does an artist want us to discover?

Looking to artists who are masters of unique surface qualities, we will explore their techniques through weekly assignments. From the moody textural ambience in Catherine Maize’s intimate still lifes, to the sublime ethereal paintings of Darren Waterston, students will learn how to build a painting to completion from the foundation up. Anna Kunz abstractions and David Alexander bird paintings keep us moving across a variety of styles to expand our understanding of the application of paint.

Working on paper and wood panels, we will prepare our surfaces with a ground, discovering the characteristics of oil and acrylic based “gesso”. Creating a strong foundation on the painting’s support sets us up for success even before we start mixing color.

Format of class includes weekly painting assignments done on gessoed paper and some research. Students send a photo of their completed assignments to me via email by Thursday at 4pm. I send a group email with all the project images before we review on Friday in Zoom. Demonstrations, lecture topics and weekly assignments are given in Zoom and recorded in case you miss class.